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Oil Paintings
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WOUWERMAN, Philips Dutch Baroque Era Painter, 1619-1668. Dutch painters from Haarlem. Dutch painter and draughtsman. He was the eldest son of the painter Paulus [Pauwels] Joostens Wouwerman of Alkmaar (d 28 Sept 1642), whose two other sons, Pieter Wouwerman (1623-82) and Johannes Wouwerman (1629-66), also became painters. Philips probably received his first painting lessons from his father, none of whose work has been identified. According to Cornelis de Bie, Wouwerman was next apprenticed to Frans Hals, although no trace of Hals's influence is discernible in Wouwerman's work. Wouwerman is also reputed to have spent several weeks in 1638 or 1639 working in Hamburg in the studio of the German history painter Evert Decker (d 1647). While in Hamburg, he married Annetje Pietersz. van Broeckhof. On 4 September 1640 Wouwerman joined the Guild of St Luke in Haarlem, in which in 1646 he held the office of vinder (agent or 'finder'). Given the many southern elements in his landscapes, it has repeatedly been suggested that Wouwerman must have travelled to France or Italy, but there is no documentary evidence that he left his native Haarlem for more than short periods. During his lifetime he must have attained a certain degree of prosperity, as demonstrated by the relatively large sums inherited by each of his seven children after his wife's death in 1670. |
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WOUWERMAN, Philips Two Horses er Oil on panel, 33 x 32 cm
Museo del Prado, Madrid
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WOUWERMAN, Philips Cavalry Battle in front of a Burning Mill tfur 1660s
Oil on canvas, 54,5 x 66,5 cm
Gemäldegalerie, Dresden
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WOUWERMAN, Philips Dune Landscape qet 1645-50
Oil on wood, 39 x 56,5 cm
Kunsthistorisches Museum, Vienna
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WOUWERMAN, Philips The Horse Fair yuer6 c. 1665
Oil on wood, 64 x 88 cm
Wallace Collection, London
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WOUWERMAN, Philips Rider's Rest Place q4r Oil on panel, 43 x 37 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
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WOUWERMAN, Philips Riding School 4et Oil on canvas, 68 x 83 cm
Museum of Fine Arts, Budapest
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WOUWERMAN, Philips Rocky Landscape with resting Travellers qr Oil on wood, 45,5 x 61 cm
Museum of Fine Arts, Budapest
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WOUWERMAN, Philips Scene in front of an Inn wet Oil on panel, 37 x 47 cm
Museo del Prado, Madrid
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WOUWERMAN, Philips Stag Hunt in a River iut7 1650s
Oil on canvas, 130 x 190 cm
Carolina Museum of Art, Raleigh
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WOUWERMAN, Philips The White Horse qrt Oil on canvas
Rijksmuseum, Amsterdam
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WOUWERMAN, Philips Hunters and Horsemen by the Roadside (mk05) Wood,14 1/4 x 13''(36 x 33 cm)Seized during the Revolution from the Pestr-Senef Collection INV.1960
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WOUWERMAN, Philips Cavalry at a Sutler's Booth (mk25) 1650-60
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WOUWERMAN, Philips View in the Environs of Haarlem mk159
Oil on canvs
76x67cm
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WOUWERMAN, Philips Cavalry Skirmish 1640-45
Oil on panel,
42 x 58 cm
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WOUWERMAN, Philips Rast auf der Falkenjagd Dimensions 40 x 39,5 cm
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WOUWERMAN, Philips
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Dutch Baroque Era Painter, 1619-1668. Dutch painters from Haarlem. Dutch painter and draughtsman. He was the eldest son of the painter Paulus [Pauwels] Joostens Wouwerman of Alkmaar (d 28 Sept 1642), whose two other sons, Pieter Wouwerman (1623-82) and Johannes Wouwerman (1629-66), also became painters. Philips probably received his first painting lessons from his father, none of whose work has been identified. According to Cornelis de Bie, Wouwerman was next apprenticed to Frans Hals, although no trace of Hals's influence is discernible in Wouwerman's work. Wouwerman is also reputed to have spent several weeks in 1638 or 1639 working in Hamburg in the studio of the German history painter Evert Decker (d 1647). While in Hamburg, he married Annetje Pietersz. van Broeckhof. On 4 September 1640 Wouwerman joined the Guild of St Luke in Haarlem, in which in 1646 he held the office of vinder (agent or 'finder'). Given the many southern elements in his landscapes, it has repeatedly been suggested that Wouwerman must have travelled to France or Italy, but there is no documentary evidence that he left his native Haarlem for more than short periods. During his lifetime he must have attained a certain degree of prosperity, as demonstrated by the relatively large sums inherited by each of his seven children after his wife's death in 1670.
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